They Became What They Beheld, Respect for the Medium

New music from They Became What They Beheld: Respect for the Medium
The fundamental audio loop is more Gabrieli.
The DV tape loop is from Fireflies & Fields, a deeply personal series shot straight out of camera. Summer, 2009. Just after sunset. "Night Mode" enabled camera on a tripod facing south-south-east. Fairfield Road a bit to my back and right. A solid two-minute hike across the prairie to touch the first oaks in the shot. Macro lens on. Optical zoom maxed. Digital zoom zero. The key: auto-focus enabled to force the beacons into a duel until dawn. The loop is 21.17 seconds long and employs neither dissolve nor crossfade. It is same hard cut over and over until the song ends. Approximately 19% of the shot is lost because I wanted to crop it from 720x480 to 1920x1040 for the final export. Once you see the Taraxacum mote ascending you will never unsee it.
The artwork is also from Fireflies & Fields, also straight out of camera.
These sorts of things are important to me.
Respect for the medium.
Shout out to DJJJS for wishing for Celer length tracks from me.
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USB Club
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https://nor.the-rn.info/rm_ation
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Only Loss
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Antigram
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Audio Hijack
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On Top of Ruins
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Courage & Wisdom
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The Future is an Infinite Succession of Presents
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Why A.I. Isn't Going to Make Art
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Happiness Is
August 12, 2024 -
They Became What They Beheld, List of Stars in Cancer
July 10, 2024 -
They Became What They Beheld, Distance
June 16, 2024 -
They Became What They Beheld, Radio Free Albemuth
May 26, 2024 -
Blue Moon Triptych
May 24, 2024 -
Heat Death of the Internet
May 21, 2024 -
They Became What They Beheld, Rocket Summer
April 28, 2024 -
They Became What They Beheld, Respect for the Medium
April 22, 2024 -
They Became What They Beheld, EP3
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Shadows Cannot Fail to Fall
April 08, 2024 -
The Mission of Art is to Lie
April 03, 2024 -
Encountering the Other: My Kingdom's Fall to COVID-19 Four Years Later
March 27, 2024 -
Riven with Fractures
March 17, 2024 -
The Rigged Ouroboros of Discourse
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Digital Alienation
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You Can Only Touch Traces of its Awkward Glory
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Building an Interactive Discography
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