Why I'm Streaming the Making of My Next Album
I'm live streaming the making of my next album on Twitch.

Some streams will be focused on sound design. We'll listen to the same loop over and over again while I finely adjust various sonic parameters.
Other streams will be focused on synthesis. We'll take the primordial elements of sine waves and white noise and build them up to richer, more complex waveforms.
Yet other streams will be focused on jamming/writing. These will will serve as mini concerts but are practically guaranteed to include spectacular mistakes. Sour notes, mis-synced beats, system crashes, all of it.

I've produced a lot of music. The releases I'm proudest of tend to have some some number of unique aspects: a new instrument, a dream, a new apartment, a breakup... one of these aspects that I've only recently become aware of is the notion of "just enough experimentation". When there is too much experimentation, the scientific method dissolves, there are no controls, and the work ends up unfocused and incoherent. When there is not enough experimentation, the work is just boring.
This is a spectacularly public experiment. I'm only a week into the project but it has already completely warped my process and I love it.
- Folks drop in chat and have ideas to steer the direction of the music.
- I'm working faster because I know people are watching.
- I'm working more consistently because I want to stream every night.
- I'm having more fun writing because I'm hyper aware of "dead air" time, so I queue up little ambient loops while I work on tasks that typically wouldn't generate sound.
- The whole project is being publicly performed and archived.
Yet I don't think this is "too much" experimentation at all. In an age of content, it feels really nice to turn the whole thing inside out and welcome the world along the journey with me. And why shouldn't this be interesting? The old axiom, "it's the journey, not the destination," rings especially true here. I'm opening up one of my most personal and intimate experiences to the world and it is exhilarating.

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December 26, 2021
Guilt Rolls Downhill -
December 14, 2021
Low-tech Web -
December 13, 2021
The Final Post -
December 12, 2021
Equal Parts LSD and Magnetic Tape -
November 26, 2021
It Was a Dark and Stormy Black Friday -
November 03, 2021
All of the Things I Never Did -
November 03, 2021
Thus the Future Must Be Salvaged From the Debris and Noise of Collapse -
October 26, 2021
Ritual Scarification of the Blog -
October 24, 2021
The Capitalist Nihilism of Alien & Squid Game -
October 01, 2021
S♯A♯B∞ Week 3: Transfiguration -
September 24, 2021
S♯A♯B∞ Week 2: Sublimation -
September 17, 2021
S♯A♯B∞ Week 1: Immolation -
September 06, 2021
Timm Etters: All My Love & All My Burning Tears -
August 20, 2021
The Hauntology of Godspeed You! Black Emperor -
August 05, 2021
The Type of World I Let in My Head -
August 04, 2021
Hobby Lobby Gilgamesh -
August 04, 2021
Shadow Fi Labs -
July 24, 2021
Gardening Information -
July 04, 2021
Empty, Again -
June 02, 2021
Lacuna / Muse -
May 05, 2021
The Hegemony of the DAW -
April 23, 2021
The Sacred Underwriting of Your Life -
April 09, 2021
Building "norns community" -
March 20, 2021
Rounding Errors -
March 06, 2021
Why I'm Streaming the Making of My Next Album